Director, TATE Modern
Tate Modern, one of the world's great museums of modern art, is seeking to appoint a Director to succeed Vicente Todoli, who has led the Gallery with distinction since 2003. The new Director, joining Tate from Autumn 2010, will take up the appointment at an exciting and significant time as the second phase of Tate Modern's development moves forward with pace.
THE UNCOMFORTABLE ZONES OF FUN
experiments in experience/participation performance
The Underground Hit! CRITIC'S CHOICE: East Bay Express
Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor. Other than that, ADMISSION IS FREE! (But donations will be accepted.)
Saturday, April 24
8pm
TEMESCAL ARTS CENTER
511 48th Street
Oakland, CA 94609-2058
For more information
Call: 510-526-7858
email: fmoore@eroplay.com
http://www.eroplay.com/events.html
http://www.temescalartscenter.org/
EROTIC FRICTION
a rare San Francisco appearance of
Frank Moore, world-known shaman performance artist
conducting an experience/participation performance
8 P.M.
Saturday, April 17, 2010
sliding scale of $5 to $25
Center for Sex and Culture
1519 Mission Street
San Francisco, CA 94103
415-255-1155
info@sexandculture.org
http://www.sexandculture.org/
For more information, contact:
510-526-7858
fmoore@eroplay.com
http://www.eroplay.com
Art in Odd Places 2010: CHANCE
OPEN CALL FOR ARTIST SUBMISSIONS
Art in Odd Places (AIOP) invites artists working across disciplines to
propose projects for the festival's sixth installment (October 1 - 10,
2010). Taking place along 14th Street from Avenue C to the Hudson River in
New York City, we encourage proposals that explore this location's rich
history, configuration, and heterogeneous communities. The forthcoming
edition of AiOP is informed by various interpretations of the term CHANCE,
including proposition, luck, randomness, risk, and opportunity. Within this
context, artists are given the opportunity to apply their practice to an
unconventional structure-playing off the idiosyncrasies inherent to the
The application deadline for the Spelman College Summer Art Colony is
April 15. The focus of this three week summer workshop will be
creating environmental art projects in the rainforest and bay of Portobelo,
Panama.
The Art Colony www.spelman.edu/artcolony is open to all college
students and artists nationwide regardless of race, gender or
ethnicity. The Art Colony's fee is $1990 and will operate from May 16
- June 6. Interested artists should feel free to contact Arturo
Lindsay at 770.808.8497 or arturo.lindsay@gmail.com for further information.
from Franklin Furnace
EXECUTIVE DIRECTOR
WOODSTOCK BYRDCLIFFE GUILD
The Woodstock Byrdcliffe Guild is a not-for-profit arts organization with a
primary focus on nurturing artists in our one hundred year old Byrdcliffe
Art Colony, and providing related public programs in the town of Woodstock
New York.
The Executive Director reports directly to the Board of Directors and is
responsible for the Guild's consistent achievement of its mission by
implementing the Board's goals and strategies. Key Duties and
Responsibilities include supervising office function, providing program
leadership, maintaining sound financial practice.
Qualifications include a minimum five years experience in not for profit
management, fundraising and excellent communication skills, ability to work
In 2008, the U-TURN contemporary art festival was held with support from the Danish Arts Council. Now the Danish Arts Council would like to establish a recurring contemporary art festival that will become a major event in the Danish art world. The festival is intended to create international attention, to stimulate the Danish contemporary arts scene, and to promote interest in contemporary art with the public at large.
Theme and geographical location
The festival should focus on how contemporary art works with topics that range from the political to the existential. The festival must be able to communicate this to the public at large and, therefore, must be visible and accessible to large, new segments of the potential audience.