AMP: Artists' Meeting Place and Resource Collective

CALL FOR SUBMISSIONS

The Summer 2010 Showcase is open and accepting submissions. As a reminder, all subjects, styles, and media are welcome. Challenge, explore, push boundaries! The winning submission will receive $500 (USD) and is determined by creative vision, innovation, potential to engage an audience, presentation (i.e. quality of the images submitted), and overall impression.

Deadline for next competition: June 15, 2010 at 11:59pm EST
(Get your work in early to give it more time to be seen, commented on, and rated.)

Full details are available on the Creative Divergents website: http://creativedivergents.com/faqs/

CALL FOR JURY MEMBERS

Faculty of Fine, Applied and Performing Arts, University of Gothenburg

Contact
Faculty of Fine, Applied and Performing Arts, University of Gothenburg
Box 141
405 30 Gothenburg
Sweden
Phone: +46 31 786 6451
Fax: +46 31 786 1318
Sverker.Jullander@gu.se
http://www.konst.gu.se/english/doctoral_studies/Admission

Last day of Application: 5th of April 2010
More information:
Director of Doctoral Education, Professor Sverker Jullander

We welcome your application for admission to doctoral (third cycle) education at the Faculty of Fine, Applied and Performing Arts at the University of Gothenburg, Sweden!

Call for Entries - 22nd Biennial of Industrial Design

Architecture Museum of Ljubljana / BIO Secretariat
Pot na Fužine 2
1000 Ljubljana
Slovenia
Phone: 00386 1 540 03 48
Fax: 00386 1 540 03 44
bio@aml.si
http://www.bio.si

Period for Entry Submissions:
1 February–12 April 2010

BIO 22 Exhibition:
7 October - 7 November 2010
Ljubljana, Slovenia

On 7 October 2010 the Architecture Museum of Ljubljana will open the 22nd Biennial of Industrial Design (BIO 22).

The Biennial of Industrial Design (known also by its Slovene acronym as BIO) is a comprehensive international exhibition that highlights current trends in contemporary design through its selection of well-designed products with an emphasis on quality, originality and innovation.

Who:
Native Voices at the Autry is the nation's premiere theatre company dedicated to developing and producing new works for the stage by Native American and First Nations writers.

Event:
2010 Playwrights Retreat and Festival of New Plays
Produced by Randy Reinholz and Jean Bruce Scott
Featuring works by Marie Clements, Jack Dalton, Allison Warden, and Dawn Jamieson
Directors include Jere Hodgin, Stephen Metcalfe, and Yvette Nolan

Audition date & time:
Saturday, March 13, 2010 from 10:00a - 1:00p

Audition location:
Wells Fargo Theatre, Autry National Center
4700 Western Heritage Way Los Angeles, CA 90027

Contact information:
To schedule an audition appointment, please contact Carlenne Lacosta
Email carlenne@gmail.com or call 619-994-0121

Employer: Otis College of Art and Design
Artists, Community and Teaching (ACT) Program

Position Description:
Part Time Lecturer needed to develop and teach a new ACT Special Topics junior/senior level studio course in Art Therapy for Fall 2010 (Aug. 30 – Dec. 18, exact class time TBD).

ACTS300 Special Topics: Art Therapy (2 credits)
This studio course will give students an introduction to visual and performing art techniques used in therapeutic art programs. History and theories of art and performance therapy will be covered through demonstrations, readings, guest lectures and field trips. Students will also produce self-directed work with these techniques in mind as well as guide each other through therapeutic art practices.

Requirements:

CALLING ALL POETS

In Celebration of National Poetry Month

CASA 0101 Presents...

A POETRY SLAM COMPETITION

April 30, 2010 at CASA 0101 @ 8 p.m.

New CASA 0101 Location:
2102 East First Street, Los Angeles, CA 90033

Call for applications: Professor in site and situation specific arts at Finnish Academy of Fine Arts

Finnish Academy of Fine Arts

http://www.kuva.fi/portal/english/vacant_positions/

Contact

Finnish Academy of Fine Arts
Kaikukatu 4
00530 Helsinki
Finland
jan.kaila@kuva.fi
http://www.kuva.fi/portal/english/vacant_positions/

Deadline for applications:
5 March 2010 3.45pm

POST
Professor in site and situation specific arts (including different forms of environmental, performance and installation art) to be filled from 1 August 2010 for a fixed term up to a maximum of five years

QUALIFICATION REQUIREMENTS

WORKSHOP: WEARABLE SOUND EXPERIMENTS

This four day workshop introduces basic soft electronics techniques for constructing fabric sensors and wearable circuits. Instead of using soldering irons and wire, we will use sewing needles and conductive thread.The theme of the workshop is hacking sound toys into wearables. During the workshop each participant will develop a wearable project, paying attention to the placement of components and the relationship between body, action and sound. Participants will design wearable interactions and deal with issues such as comfort, functionality, context and purpose.

FIRST INTERNATIONAL MASTER OF MEDIA.ART.HISTORIES

Department for Image Science, Danube University Krems

Danube University Krems
Dr.-Karl-Dorrek-Strasse 30
3500 Krems an der Donau
Austria
Phone: +43(0)2732 893-2569
Fax: +43(0)2732 893-4551
andrea.haberson@donau-uni.ac.at
http://www.donau-uni.ac.at/dis

Applications for the next course will be accepted until April 26, 2010.

CALL FOR APPLICATIONS

FIRST INTERNATIONAL MASTER OF MEDIA.ART.HISTORIES
(Low residency; English language, international faculty)

IMAGINE
Towards an eco-aesthetic, 2011

Artists and curators are hereby invited to submit proposals for 2011.

'Only when people are in a position to use their own creative potentials,
which can be enhanced by an artistic imagination, will a change occur [....]
Art can and should strive for an alternative that is not only aesthetically
affirmative and productive but is also beneficial to all forms of life on
our planet.'
Rasheed Araeen: Ecoaesthetics. A Manifesto for the Twenty-First Century

In the autumn of 2009, Rasheed Araeen, editor of the respected periodical on
art and culture Third Text, launched a frontal attack on the modern ego and
the recuperation of the avant-garde. Instead of the continued rigid